Photo: Bollywood Hungama · CC BY 3.0 / Wikimedia Commons
Peddi: Ram Charan's Cricket Gamble Is Paying Off at the Box Office
Ten days into its run, Peddi has done the one thing every big Telugu release sets out to do: it has people arguing about it. Ram Charan's first film since the global juggernaut of RRR opened worldwide on 4 June 2026, and the verdict so far is loud, profitable and far from unanimous. This is a sports drama with an unusual hero at its centre, a chart-topping score, and a debut that has sparked both applause and backlash. Here's a straight, balanced read on what the film is, who made it, and whether it earns your ticket.
What Peddi is actually about
Forget the polished, corporate cricket of modern stadiums. Peddi is set in late-1980s Vizianagaram, a small-town corner of north coastal Andhra Pradesh, and its hero is a long way from a national-team golden boy. Ram Charan plays Peddi, a cricketer-for-hire — a gifted local player who turns out for whichever village team is willing to pay him for the day. It's a sharp, grounded premise: talent without a ladder to climb, ability with no system to reward it.
From that setup the film builds toward a more familiar arc — pride, community, and a man who stops playing for money and starts playing for something that matters. The sport becomes the vehicle for a story about caste, dignity and belonging rather than just sixes and stumps. It's a period piece first and a cricket movie second, which is part of why it lands differently from a standard underdog drama.
The team behind it
The most interesting name on the poster after Ram Charan is the director. Buchi Babu Sana made his debut with Uppena (2021), a raw rural love story that won the National Film Award for Best Telugu film. He is not a routine mass-masala filmmaker, and that pedigree raised expectations that Peddi would have a beating heart under the spectacle.
The rest of the line-up is heavyweight:
- Ram Charan as Peddi, in a deglamourised, rooted avatar far removed from his designer-action image.
- Janhvi Kapoor as Achiyyamma, the female lead, in her second Telugu film after Devara (2024).
- Shiva Rajkumar, the Kannada superstar, in a substantial role that has drawn its own appreciation.
- Jagapathi Babu, Divyenndu and Boman Irani filling out the ensemble.
And then there is the music. The score and soundtrack come from AR Rahman, and on a project this size his involvement is a genuine draw rather than a footnote. Early reactions single out the background score as one of the film's real strengths. The film was produced under Vriddhi Cinemas and presented by Mythri Movie Makers, two banners with deep pockets and a track record in tentpole Telugu cinema.
The pre-release buzz, and why it ran so hot
Few 2026 releases carried this much weight on opening day. The combination of Ram Charan returning to the screen, a National Award–winning director, an Oscar-winning composer and a Bollywood actress crossing over was always going to dominate the conversation. The film also went through multiple delays before finally locking its June date, which only stoked anticipation among fans who had been waiting a long time.
The runtime, confirmed at roughly 189 minutes — a touch over three hours — was flagged early as a talking point. Audiences love an epic, but three-hour-plus dramas live or die on pacing, and that became one of the central questions hanging over the release.
Box office: the numbers that are confirmed
On the commercial side, Peddi has delivered. Trade trackers reported the film crossing roughly Rs 315 crore worldwide within its first week, making it the highest-grossing South Indian film of 2026 so far. Domestic net collections were placed at around Rs 169.70 crore in the same early window, with the bulk coming from the Telugu states, as expected.
Those are strong figures by any measure, helped along by positive family word of mouth that kept footfalls steady through the first weekend. A word of caution on the numbers, though: opening-week box office is fast-moving, studio-fed and prone to rounding-up. Treat the headline totals as a clear sign of a hit, not as audited final accounts. Lifetime worldwide gross and verified OTT details are awaited.
The honest take: what works, what doesn't
Here is where balance matters, because the film genuinely splits opinion. The praise is real, and so are the reservations.
What seems to be landing well:
- Ram Charan's performance. This is the near-universal point of agreement. Reviewers and audiences alike describe it as among the finest, most committed acts of his career — physical, restrained where it needs to be, and a clear departure from his usual register.
- The craft. AR Rahman's music, the period texture and the technical scale earn consistent appreciation.
- The premise. The cricketer-for-hire idea and the caste-and-dignity undercurrent give the film a spine that lifts it above a generic sports template.
Where it stumbles, according to the wider sentiment:
- Length and pacing. A three-hour-plus drama asks a lot, and several viewers feel the screenplay sags and could have been tighter.
- The writing around the lead's journey. Some feel a powerful central performance is housed in a film that doesn't quite match it scene for scene.
Reading the room honestly, the overall reaction is best described as mixed-to-positive — a commercial success with a standout hero turn, rather than a wall-to-wall masterpiece. That is not a knock; it's a useful expectation to walk in with.
The controversy worth knowing about
One issue deserves a clear, neutral mention. After release, criticism grew online over the depiction of Janhvi Kapoor's character, Achiyyamma, with many viewers calling the portrayal and her romantic arc problematic. In response, director Buchi Babu Sana issued a public apology and, according to media reports, confirmed that certain scenes would be modified or removed from the theatrical version.
It's a notable moment — a major commercial film acknowledging audience discomfort mid-run and acting on it. How much the recut changes the experience is something later viewers will judge for themselves, but it's worth knowing the version in cinemas today may differ from the one that opened on day one.
So, should you watch it?
If you like big-screen sports dramas, period settings and Ram Charan operating at full throttle, Peddi is an easy theatre recommendation — the scale, the score and the lead performance are best enjoyed loud and large. If you have limited patience for long runtimes or want a tightly plotted film where every scene pulls its weight, you may come away admiring the star more than the movie around him.
Either way, this is a defining release of Ram Charan's post-RRR phase and one of 2026's genuine box-office events. The numbers say hit. The reviews say career-best act. The honest middle ground is that Peddi is a film well worth seeing, as long as you go in for the performance and the spectacle rather than expecting flawless storytelling. An OTT date for those who'd rather wait is still awaited.



